Lambert & Stamp, the documentary film celebrating the lives of The Who’s managers, is now out on release across the UK – and the archives on this site have played a small but significant role in the production. I’ve previously mentioned that my dad (festival electrician Ken Blake) took some unique cine film of the 1969 Isle of Wight festival, including footage of the Who arriving by helicopter. That footage appears in its full glory in Motocinema’s new film.
The Who’s arrival – after a tense standoff over money with the festival organisers – is also celebrated in a slightly fictionalised form in When Dylan Sank The Isle of Wight (formerly 69ers):
“The arrival of Armstrong and Aldrin on the moon was certainly epochal, but that happened on television, in grainy black and white, whereas the Who were coming in full colour, up close and personal, and their arrival would be followed by something a lot more exciting than a few slow-motion bounces.
No-one anticipated that impending appearance more keenly than Maurice. More than once he checked the integrity of the plywood H, conferring with none other than Bill Foulk, long-haired sibling of Ron and Ray and according to Maurice the one guy who really knew his stuff about the progressive music scene, not that he seemed that keen to impart much knowledge to Maurice. There was a palpable anxiety amongst the waiting throng, such had been the brinksmanship exercised by Kit Lambert, the Who’s whizz-kid manager, so that the moment a flying speck appeared on the horizon was one of high drama, a drama intensified as the red copter came close enough for the words TRACK RECORDS to be read on its side. Here was an image to daunt the afficianandos of the folk movement: an alternative new world of blatant self-aggrandisement, the aggressive, tech-savvy, whirling force of the go-it-alone independent label come to blast the stuffed shirts out of the record business. Down it squatted, like a capitalist arse onto the face of the festival, its downwind fearsome, till the plywood H began to shake, then suddenly disintegrate, fence panels flying upwards like blown litter. Maurice’s face turned ashen as wood smashed into the rotor blade, staggering the copter and threatening to turn the world’s loudest band into a flaming fireball. Somehow the pilot got the monster down safely, but it was a scowling Daltrey who climbed out amongst the circle of onlookers, followed by an equally glowering Moon, Townshend and Entwistle.
Maurice Moss silently slid his autograph book back into his pocket.
“Good one, Maurice” said Scott.
“Shut up, Rayner” hissed Maurice. The downforce of the helicopter had swept his hair back into an impromptu short-and-sides, and suddenly he was once more that short-trousered firstie with his hands jammed into his pockets to protect his crotch from that ancient tradition known as knackering.”
Either paperback or e-book of When Dylan Sank The Isle of Wight can be found here.